Editor Reviews:

Amazon.com essential recording:
Clarence "Gatemouth" Brown's 1950s recordings fuse the energy of big-band horns, the shuffles and boogies of R&B, and his own white-hot guitar leads. Greatly influenced by fellow Texans Blind Lemon Jefferson and T-Bone Walker, Brown absorbed their smooth, melodic, single-string solo technique, but added a rough-edged intensity to his explosive style. The slow blues "Dirty Work at the Crossroads" added Jimmy McCracklin's rolling piano to Brown's bold and brash guitar work, but it was the 1954 instrumental "Okie Dokie Stomp" that put Brown on the map. With blaring horns urging him on, Brown attacks the music with ferocity. "Ain't That Dandy" is another instrumental guitar romp, while 1959's "Just Before Dawn" features Brown's swinging violin. --Marc Greilsamer

Rating : - blistering guitar
all of these recrodings were made between 1952-1959, and they show why Clarence Gatemouth Brown was such an influence on so many gutiar players after him. He and T Bone Walker were the undisputed kings of Texas Blues. There is even a cut where he plays violin, which sounds a bit like old SugarCane Harris stuff. Great CD.